Staffordshire Figures 1780-1840
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Bocage: roll back the clock

7/28/2014

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When you write a book, you stick out your neck. By committing your thoughts to print, you are a target for ridicule. Advances in learning change our body of knowledge ....and no sooner is your book published than you wish more than anything that you could rewrite or edit. Believe me, I know this all too well. For that reason, I feel the pain of the misguided author (not me, for once!) who wrote not so long ago that
the bocage was introduced to earthenware figures about 1810-1820; it is difficult to pin-point the date more accurately as there are no subjects which offer a close date, nor are there any marked pieces from an early short-lived company
We shall leave her nameless, but let's examine the statement.

First, we know bocage figures were made by Ralph Wood. Ralph Wood died in 1795, so bocage figures were being made by that date.
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Impressed "89" and attributed to Ralph Wood. Courtesy of Roger de Ville.
Admittedly, there is not a single marked Ralph Wood figure with bocage, but unmarked figures that link to Ralph Wood have bocages. The bocage shepherds group above is just such a figure. It has "89" impressed beneath, which strengthens its attribution. This is hardly news, because even a century ago, collectors correctly attributed some bocage figures to Ralph Wood. My research establishing the criteria for Ralph Wood attribution is based on scientific methodology, so, unless you insist on burying your head in the sand and ignoring all logic, you cannot refute the Ralph Wood hypothesis. 

Remember, Ralph Wood died in 1795, so is this Ralph Wood bocage figure (and others like it) not proof enough that bocage figures were made in the eighteenth century? Surely so! But what if you absolutely MUST see a datable maker's mark to be convinced? Well, relax, I can still prove the point.


Picture
Courtesy Bonhams
This bocage figure was made by--and bears the mark of-- Lakin & Poole, a manufactory that functioned only from 1791-1795.  The figure sold many years ago and Bonhams' catalog description read as below.
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I was thrilled but not at all surprised to learn that the figure had a Lakin & Poole mark. I had thought there was a very strong likelihood that the figure group below was also by Lakin & Poole, and the similarity to the marked example helped make the case.
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The subject of the figure group , by the way, is Cupid and Psyche, and you can see it in Vol. 4 of Staffordshire Figures 1780-1840.  

Life would be boring if we did not learn and grow. And so it is with our knowledge of bocage figures. We now know that they were being made in the 1790s for certain---so roll back your mental clock on bocage to that date.
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Ceres?

7/15/2014

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It's just not funny the way time slips by. In a few weeks, this site will be six years old, and I simply can't believe it. The site started when I read an article in the Wall Street Journal claiming that anyone could build a website in an hour. Recalling how I had to beg and cajole my very brilliant son into building a site for People, Passions, Pastimes, and Pleasures, I thought I should acquire this 21st century life-skill....and six years down the road, here we are. At this point, there is so much stuff on the site that I can't recall or find much of it, and I suspect there is a good deal I would like to amend, but there are just not enough hours in the day.

It seems like yesterday that I wrote on vases of the form below...but it turns out that it was May 2011!
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Photo courtesy of Martyn Edgell
You can read the May 2011  blog article on the vases by clicking here. Two incidents bring this vase form to mind this week. First, there is this week's correspondence (below the May 2011 posting) from one of the descendants of William Turner of Lane End-----Turner actually made a marked vase of this form. Second.....well, wait a moment. Let me first add that I have seen several vases of this form over time, all quite similar. In compiling Staffordshire Figures 1780-1840, I had to assign each figure to a chapter, which is easier said than done. Where to put vases such as these?? I eventually placed them in the chapter devoted to the goddess Ceres, who traditionally has a cornucopia. For better or worse, that's where the figure is.  

I have come to believe that almost every Staffordshire figure has a pair/companion, but what of this vase? The vases I have seen have always been female in form. This brings me to the second incident that brought this vase to mind this week. Lo and behold, one is coming up at auction and she has a male companion. 
Picture
Image from Freeman's web site.
I wish the male figure had an attribute that could help us identify him. Apollo would be ideal, because Ceres is sometimes paired with Apollo. Alas, for now his identity remains a mystery, but some day another might turn up and shed definitive light on the identity of the female figure.
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Pomona and Actaeon

7/1/2014

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I may have showed you the figure below many moons ago, but I have some updates. The figure is Pomona, and she was made by James Neale in the 1780s. This really is one of our rarest figures, and it is exquisite, exquisite, exquisite! Alongside you see that it is marked with the typical Neale mark.
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Interestingly, the figure is exceptionally small. At just 4.8 inches it is significantly smaller than other Neale figures--smaller in fact than most early Staffordshire figures. It really is a little gem. On my travels, I was able to take a picture of Pomona on a shelf with other Neale figures, and you can see just how dainty she is. 
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Figures of Pomona were usually made to pair with figures of Flora, but not so in this case. The Neale companion figure to Pomona is a male, none other than Actaeon, the hunter.
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Alongside, you see Actaeon, with a quiver on his back, a horn, and a bow. The photo is from Diana Edwards's Neale Pottery and Porcelain, page 178.I know of only this example of this figure, and I have never seen it in the flesh.  It would be rewarding to reunite the two tiny Neale figures, apparently the lone survivors of others of their form.

Neale also made both figures in jasper. The examples below are marked.
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Courtesy of the Victoria and Albert Museum, London.
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Courtesy of the Victoria and Albert Museum, London
Frustratingly, the Victoria and Albert Museum, which owns these figures, describes the male figure as Apollo. Hello, museum: have you LOOKED at this figure? Where is the lute? I find museum ownership so frustrating sometimes!

As I was preparing Staffordshire Figures 1780-1840, I obtained this photo of a pair of pearlware figures of Pomona AND Actaeon! Admittedly they are a long, long way from the Neale originals in their execution, but what rare figures.  
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I would bet that the figures derive from the Neale molds--from much-used Neale molds---because the crispness has been lost. Molds were expensive, so when the Neale factory no longer had use for them (or when the factory closed), they would have gone into the hands of another potter.

Writing a post like this reminds me of how many figures have been lost over time. Treat your figures with TLC, and remember to restore sympathetically. If you haven't read the article on the RESTORATION tab at the top of this site, please do. And please let me know if you see an Actaeon. I know a collector who would love to own him. 
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    Myrna Schkolne, antique Staffordshire pottery, expert
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