Doctor Syntax—a gangly, black-frocked cleric and schoolmaster with a protruding chin—was one of the early nineteenth century’s most popular literary characters. He was the brainchild of Thomas Rowlandson (1756–1827), the eminent caricaturist and watercolorist. Traditionally, a book’s text inspires its illustrations, but in the case of Doctor Syntax, the text was written in verse form to accompany Rowlandson’s artwork. The result bestowed literary immortality upon William Combe (1742–1823), a hack writer whose prodigious writings were otherwise destined for oblivion. Doctor Syntax was successful because Combe’s verse and Rowlandson’s lively drawings appealed to the English love of the absurd, and Staffordshire’s figure potters capitalized on the comic theme by producing their own interpretations of the eccentric clergyman.
Doctor Syntax was a peripatetic clergyman who set off "in search of the picturesque"--finding pleasing vistas was an appropriately refined pastime in those days. Along the way, he has a series of adventures, which are portrayed in Rowlandson's illustrations. Strangely, the familiar Staffordshire pottery group of Doctor Syntax playing at cards bears no resemblance to the book plate illustrating that adventure. Instead, our potters used their own imagination. But a rare group titled Dr Syntax Stopped by Highwaymen mimics one of the book plates titled Doctor Syntax Stopt by Highwaymen.
Doctor Syntax was a peripatetic clergyman who set off "in search of the picturesque"--finding pleasing vistas was an appropriately refined pastime in those days. Along the way, he has a series of adventures, which are portrayed in Rowlandson's illustrations. Strangely, the familiar Staffordshire pottery group of Doctor Syntax playing at cards bears no resemblance to the book plate illustrating that adventure. Instead, our potters used their own imagination. But a rare group titled Dr Syntax Stopped by Highwaymen mimics one of the book plates titled Doctor Syntax Stopt by Highwaymen.
Pearlware figure titled DR SYNTAX STOPPED BY HIGHWAYMEN. H: ~9'.
Portion of an engraving titled DOCTOR SYNTAX STOPT BY HIGHWAYMEN. By Thomas Rowlandson.
The engraving is fabulous, is it not? The full scene is shown alongside. Delving into source prints has taught me to love old prints...not as much as I love figures, of course, but prints too capture fabulous moments frozen in time.
What makes this particular Staffordshire figure group so special is the presence on the base of the highwayman. I have seen three other examples of this group--yes, it is a very rare group--and in each case the highwayman had been knocked off the base and lost. I bought this figure group at a Boston auction a few years ago, quite reasonably priced. Last year, I lectured in Boston. In the question session, someone asked me why they have no early Staffordshire figures in Boston. Ha! They just aren't looking for them. After my lecture, I went to a local antique shop and bought a perfect little figure for less than the price of my hotel room, and flew home with a sweet souvenir.
Fascinating Factoids:
In 1809, the artist Thomas Rowlandson, who had gambled away his fortune, produced a series of aquatint engravings of a traveling clergyman-schoolmaster on a tour in search of the picturesque. The publisher Rudolf Ackermann thought them ideal for his new Poetical Magazine, so he asked William Combe, languishing within debtors’ prison, to write accompanying prose. The collaboration was unusual: Combe and Rowlandson did not meet, but each month Ackermann supplied Combe with one drawing, and the writer produced the required lines of verse. As a result, The Schoolmaster’s Tour was published in serial form from 1809. The almost 10,000-line doggerel was immensely popular, and in 1812 Ackermann published a revised version, The Tour of Doctor Syntax in Search of the Picturesque, as a book, complete with thirty Rowlandson aquatints. In 1820 and 1821, Combe and Rowlandson completed the Doctor Syntax trilogy with The Second Tour of Doctor Syntax in Search of Consolation and The Third Tour of Doctor Syntax in Search of a Wife. In 1822, an unremarkable sequel, The Adventures of Johnny Quae Genus, the Little Foundling of the Late Doctor Syntax, was Combe’s swan song on the Doctor Syntax theme. Doctor Syntax’s three tours remained popular reading for decades longer. Today their prose is no longer in vogue, but the beauty of Rowlandson’s aquatints has not faded with time, and neither have those other captivating memento of the saga: earthenware figures of the peripatetic cleric.
Read chapter 19 of my book, People, Passions, Pastimes, and Pleasures: Staffordshire Figures 1810-1835, to learn about Doctor Syntax and see large color pictures of other Syntax figures,
In 1809, the artist Thomas Rowlandson, who had gambled away his fortune, produced a series of aquatint engravings of a traveling clergyman-schoolmaster on a tour in search of the picturesque. The publisher Rudolf Ackermann thought them ideal for his new Poetical Magazine, so he asked William Combe, languishing within debtors’ prison, to write accompanying prose. The collaboration was unusual: Combe and Rowlandson did not meet, but each month Ackermann supplied Combe with one drawing, and the writer produced the required lines of verse. As a result, The Schoolmaster’s Tour was published in serial form from 1809. The almost 10,000-line doggerel was immensely popular, and in 1812 Ackermann published a revised version, The Tour of Doctor Syntax in Search of the Picturesque, as a book, complete with thirty Rowlandson aquatints. In 1820 and 1821, Combe and Rowlandson completed the Doctor Syntax trilogy with The Second Tour of Doctor Syntax in Search of Consolation and The Third Tour of Doctor Syntax in Search of a Wife. In 1822, an unremarkable sequel, The Adventures of Johnny Quae Genus, the Little Foundling of the Late Doctor Syntax, was Combe’s swan song on the Doctor Syntax theme. Doctor Syntax’s three tours remained popular reading for decades longer. Today their prose is no longer in vogue, but the beauty of Rowlandson’s aquatints has not faded with time, and neither have those other captivating memento of the saga: earthenware figures of the peripatetic cleric.
Read chapter 19 of my book, People, Passions, Pastimes, and Pleasures: Staffordshire Figures 1810-1835, to learn about Doctor Syntax and see large color pictures of other Syntax figures,
