Splendid enamel-painted Wood family elephant for sale by John Howard. Probably made by Ralph and/or Encoch Wood in the 1780s.
Did you notice this very rare figure for sale by John Howard. It is an early example of an enameled Staffordshire figure. The first examples of this elephant were decorated by merely coloring the glazes--and today these too are desirable figures. But an enameled elephant was costlier in its day because it required more careful painting and an additional firing. No sloshing on of colored glazes and popping it in the oven.
Wood family elephant decorated more cheaply in the limited colored-glaze palette
To make an enamel-pianted Staffordshire figure, the figure was formed, fired, dipped in clear glaze, and fired again. Only then could the enamels be painted atop the glaze, and the whole thing fired yet again. To complicate matters, some enamel colors needed high firing temperatures, while others needed lower firing temperatures. Consequently, there might be several enamel firings, starting with the highest temperature firing first. All this was an expensive process, and an enamel figure was costlier than its colored glaze counterpart. The fact that a figure emerged unscathed is, to me, a miracle. And in those days, there was no means of measuring kiln temperatures, so 'getting it right' hinged on the skill of the man who fired the kiln.
John Howard's elephant is a model that was made by the famous Wood family of Burslem, probably Ralph Wood. As noted, it was also produced in colored glazes typical of Ralph Wood figures. But the enamel example is especially rare. I have only been able to trace one other. It appeared in Jonathon Horne's Exhibition Catalogue in the early 1990s.
If you are thinking of buying this figure, remember that an elephant with a raised trunk is a symbol of good luck!
Think the elephant was an unfamiliar site on Britain's shores by the 18th century? Think again!
John Howard's elephant is a model that was made by the famous Wood family of Burslem, probably Ralph Wood. As noted, it was also produced in colored glazes typical of Ralph Wood figures. But the enamel example is especially rare. I have only been able to trace one other. It appeared in Jonathon Horne's Exhibition Catalogue in the early 1990s.
If you are thinking of buying this figure, remember that an elephant with a raised trunk is a symbol of good luck!
Think the elephant was an unfamiliar site on Britain's shores by the 18th century? Think again!
- In 1255, under the watchful gaze of the crowd that had traveled from afar to see it, the first elephant, a gift from the French king, landed on British shores. That same year, Henry III notified the sheriff of London, “We command you, That of the Ferm of our City, ye cause (without Delay) to be built at our Tower of London, one House of forty Foot long, and twenty Foot deep, for our Elephant.” The elephant lived for just two years.
- In 1679, the scientist Robert Hook noted seeing an elephant carry a castle and man on its back on London’s streets. The motif of a castellated elephant had been used for centuries in the arms of Coventry and as the emblem of London’s Cutlers’ Company.
- Displays of exotic animals were not only for the nation’s elite. By the seventeenth century, even ordinary people in distant towns were able to view the wonders of the animal kingdom, courtesty of traveling entertainers.
- In 1793, Pidcock purchased a male elephant off a trading ship for a thousand guineas for his menagerie.
